Extracted sounds and music have their source game listed in parentheses – Residue. Stockholm-based composer and musician Linus Hillborg has an interest in compositional techniques born out of limited computing power and sample memory. Residue is a collection of weird, darkened and solitary sounds derived from such practices, including soundtracks and ambiences from early bootleg games – heavy on FM-synthesis, repurposed samples and microtonality – as well as music of past presents and future pasts constructed in a similar vein.

Stockholm

25.03.21

Experimental, Noise, Modern Classical, Media Archaeology

Ksiesyc – Smieszki

Martin Galway – Title (Parallax)

Kanako Kakino – Floe (Ace Combat 3: Electrosphere)

Matt Seldon – Suburban Symphony (DreamWeb)

Paul Ruskay – Great Wastelands (Homeworld)

Minako Hamano – BSL Ambience (Metroid Fusion)

Gregory Alper – BGM 10 (Darkseed)

Steven O’Brien – The Wardrobe (Only If)

Zhèng Yi – Green Hill Zone (Somari)

Keiichi Suzuki/Hirokazu Tanaka – Deeper Into Ness’ Unconcious (MOTHER2 ギーグの逆襲)

Ksiezyc – Dychana

Aydin Esen – Induan

Ellen Meijers – Rupture Farms, extracted ambience (Oddworld: Abe’s Oddysee)

Theodor Kentros – In Girum Imus Nocte Et Consumimur Igni

Kelly Bailey – Town, extracted ambience (Half-Life 2)

László Hortobágyi – Bhairavi

László Hortobágyi – The End

Shahin Souri – Discord

Kelly Bailey – Canal, extracted ambience (Half-Life 2)

Brenda El Rayes – Min dikt tillbaka

Kazunaka Yamane – Doppelganger (Double Dragon II)

Yuzo Kishiro – Tunnelway (Bare Knuckle III)

Haruhiko Souno – Onryou Senki, extracted audio (怨霊戦記)

Mathieu Serruys – Phosphorescent Landscapes

Sonja Tofik – The Earth Spirit

Linus Hillborg – Atlashamnen

Moonilena – Arasole Rain

Zurich 1916 – The Children’s Song

KABLAM – bryt

Keiichi Suzuki/Hirokazu Tanaka – Cave of the Past (MOTHER2 ギーグの逆襲)